Stephen Dwoskin arrived in London from New York in 1964, aged 25, with a trunk of 16mm films shot in the milieu of Andy Warhol and Jonas Mekas. He became known for a series of films in which the camera’s unblinking gaze is returned by his female subjects. Laura Mulvey wrote that he ‘opened a completely new perspective for me on cinematic voyeurism’. In the mid-70s, Dwoskin turned his gaze on his own body, disabled in childhood by polio, before making a number of personal documentaries about disability and diaspora. In the 2000s, with his mobility severely impaired, he embraced the possibilities of digital technology to return to the underground and the erotic obsessions that powered his extraordinary 50-year career.

Rachel Garfield and Henry K Miller, co-programmers

Times For + discussion with actor Jenny Runacre and writer Dr Sophia Satchell-Baeza

Stephen Dwoskin’s first feature-length film is an intense, sexually charged journey through the night.

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Outside In + intro by author Allan Sutherland

Dwoskin’s comedy about life among the non-disabled moves from documentary to the surreal.

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Stephen Dwoskin Study Day

This jam-packed afternoon offers the perfect introduction to filmmaker Stephen Dwoskin.

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Ballet Black + discussion with two of the film’s stars, Jaqueline Boatswain and Colin Charles

A very personal documentary about pioneering Black British dance troupe Ballets Nègres.

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Gaze of Stephen Dwoskin

In this library talk we’re joined by the editors of new book DWOSKINO: The Gaze of Stephen Dwoskin.

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Sun and the Moon + intro by writer Paul Clinton

Stephen Dwoskin’s late masterpiece is distantly inspired by the Beauty and the Beast tale.

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