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- Screen Talk: Jafar Panahi
Screen Talk: Jafar Panahi
The winner of the Palme d’Or at this year’s Cannes Film Festival will talk about a career that has seen him actively engage with art and politics.
Regrettably, the in-person Jafar Panahi Screen Talk is cancelled due to a scheduling conflict. The Screen Talk will now be recorded and made available online for free, exclusively first on BFI Player, and then on BFI YouTube. Timings to be announced shortly.
Screening dates and booking
Credits
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Total running time
75min
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Certificate
LFF15
Access information
British Sign Language (BSL):
Friday 10 October 13:10
Live captions:
Friday 10 October 13:10
Introduction
One of world cinema’s most important filmmakers, Jafar Panahi has produced a body of work that has critiqued Iranian society and which has had a real-world impact on his life. His films present cinema at its most humane and empathetic, although never without some degree of satirical bite. From his emergence in the 1990s with The White Balloon, The Mirror and The Circle, Panahi also revealed his dexterity with the riveting crime drama Crimson Gold (written by Abbas Kiarostami) and wonderful Offside. Following his 2009 arrest in Iran, he ignored the order to stop making films and produced some of his most riveting work, including This Is Not a Film and Closed Curtain. Subsequent work, which includes Taxi Tehran, 3 Faces and No Bears, has seen him continue in his critique of the Iranian state. His latest film, It Was Just An Accident, will screen at the Festival.
Ian Haydn Smith
Additional information
Hosted by Jonathan Romney, film critic for Sight and Sound, Screen Daily, the Observer and the Financial Times.
How to book
Tickets start from £10 for all screenings and events in London, with concessions available for many screenings. Booking information and ticket prices.
If you’re aged 16 to 25, sign up for free to BFI 25 and Under for a chance to get £6 tickets to all screenings and events (subject to availability).
Our programmers recommend...
It Was Just an Accident
Jafar Panahi’s critically acclaimed and deserving Palme d’Or winner is a muscular thriller and an engaging morality tale for our times.
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