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Big screen classics

The timeless films we urge you to see. Tickets for these films are only £9.50, £4 for under 16s.

July

Road Movies

From its origins in early cinema, the road movie has become synonymous with the image the US has presented to itself and the wider world. But it is not uniquely American, with other national cinemas offering their own take – adapting it to reflect their unique social, political and geographical sensibilities. Whatever its nationality, the road movie has proven an effective genre in confronting and challenging conventions, and offering a glimpse into counter-cultural movements. The destination is less important than the journey, and all, no matter the routes they take, are fascinating metaphors for the vagaries of life.

Jason Wood, Executive Director for Public Programmes and Audiences

The Wizard of Oz

The definitive version of L. Frank Baum’s children’s fantasy sees Dorothy transported to a magical realm terrorised by a wicked witch.

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Sullivan’s Travels

In Preston Sturges’s astute comedy, Joel McCrea’s film producer travels the US without money to embrace the themes of his next movie.

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North by Northwest

Alfred Hitchcock delivers a series of classic set-pieces in his thriller featuring Cary Grant as an advertising exec who is mistaken for a spy.

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Kings of the Road

Wim Wenders’ remarkable road-movie follows two men as they travel through a country in the midst of momentous change.

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Radio On

An existential road movie (and thriller with one flat tyre) that ranks among the most influential debuts in British cinema.

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Radio On + pre-recorded intro by director Christopher Petit

An existential road movie (and thriller with one flat tyre) that ranks among the most influential debuts in British cinema.

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Mad Max 2

Proof that not all sequels are inferior, George Miller’s dystopian classic is a full-throttle race across the Australian Outback.

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Stranger Than Paradise

Billed as a new kind of American movie, Jim Jarmusch’s hugely impressive second feature leans into Ozu, Bresson and the avant-garde.

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Stranger Than Paradise + intro by film critic and programmer Lucy Peters

Billed as a new kind of American movie, Jim Jarmusch’s hugely impressive second feature leans into Ozu, Bresson and the avant-garde.

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Vagabond

Agnès Varda’s tale of what happened to a solitary hitchhiker is told in flashback, through the experiences of those who came into contact with her.

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Planes, Trains and Automobiles

John Hughes’s much-loved film is a comic addition to the mismatched couple road movie.

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Candy Mountain

Scripted and co-directed by Rudy Wurlitzer (Two-Lane Blacktop), this quintessential road movie is a rarely screened gem.

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Candy Mountain + pre-recorded intro by Jason Wood, BFI Executive Director for Public Programmes and Audiences

Scripted and co-directed by Rudy Wurlitzer (Two-Lane Blacktop), this quintessential road movie is a rarely screened gem.

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My Own Private Idaho

River Phoenix and Keanu Reeves dazzle as male hustlers from opposite sides of the tracks in Gus Van Sant’s Shakespeare-inspired tale.

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Bhaji on the Beach

Gurinder Chadha’s tale of British Asian women bonding on a coastal day-trip is an understated gem and a vital portrait of Thatcher’s Britain.

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Bhaji on the Beach + intro by Bhavini Goyate, BFI Inclusion Manager

Gurinder Chadha’s tale of British Asian women bonding on a coastal day-trip is an understated gem and a vital portrait of Thatcher’s Britain.

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Happy Together

Wong Kar Wai’s emotive and beautifully shot drama about a turbulent relationship makes the most of its Buenos Aires backdrop.

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Happy Together + intro by curator and writer Ying-Di Yin

Wong Kar Wai’s emotive and beautifully shot drama about a turbulent relationship makes the most of its Buenos Aires backdrop.

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Platform

Zhangke’s sophomore feature is widely considered one of the first masterpieces of 21st-century cinema.

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August

Hotels on Film

The summer is the ideal time to reflect on the ways hotels have been portrayed throughout cinema’s history. This selection includes films set entirely in hotels, but also features works that spotlight influential hotel scenes. These spaces are often perfect locations for exploring loneliness, inequality, human cruelty or wider social moods. They can also serve as crime scenes, or as symbols of social status or worker exploitation. On other occasions, they are the sites where unexplained or eccentric events unfold. What unifies this programme is visual innovation, revealing the myriad ways hotels are represented on screen.

Aga Baranowska, Contextual Events Programmer

The Last Laugh

Nosferatu director F. W. Murnau’s landmark work of Weimar cinema details the fall from grace of a hotel doorman.

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The Last Laugh + intro by programmer Margaret Deriaz

Nosferatu director F. W. Murnau’s landmark work of Weimar cinema details the fall from grace of a hotel doorman.

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Grand Hotel

Winner of the Best Picture Academy Award and a huge box-office hit, Grand Hotel remains a glamorous relic from Hollywood’s golden age.

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Hôtel du Nord

Marcel Carné’s portrait of longing, class and disillusionment in 1930s Paris is a key work pf poetic realism.

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Key Largo

The fourth screen pairing of Humphrey Bogart and Lauren Bacall is a scintillating film noir.

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To Catch a Thief

The sunlit French Riviera becomes the backdrop for Alfred Hitchcock’s thriller, pairing a suave Cary Grant and sparkling Grace Kelly.

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The Silence

Ingmar Bergman’s powerful reflection on alienation and sexuality is one of his darkest dramas.

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I Am Cuba

Riveting camerawork meets revolutionary ideas in this utterly unique, hugely influential film.

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I Am Cuba + intro by film curator and writer Jonathan Ali

Riveting camerawork meets revolutionary ideas in this utterly unique, hugely influential film.

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Hotel Monterey

Chantal Akerman’s time in New York produced a small handful of key works, including this singular film.

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Hotel Monterey + intro by scholar and critic Erika Balsom

Chantal Akerman’s time in New York produced a small handful of key works, including this singular film.

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The Shining (Extended Version)

Stanley Kubrick’s nightmarish horror benefits hugely from its constructed backdrop: The Overlook Hotel.

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Nightshift

The monotony of work is juxtaposed against an otherworldly, dream-like space in early 1980s London.

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Nightshift + intro by writer and film programmer Sophia Satchell-Baeza

The monotony of work is juxtaposed against an otherworldly, dream-like space in early 1980s London.

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Waiting to Exhale

This cultural touchstone, and superb romantic comedy, features standout performances by Whitney Houston and Angela Bassett.

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Waiting to Exhale + intro

This cultural touchstone, and superb romantic comedy, features standout performances by Whitney Houston and Angela Bassett.

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In the Mood for Love

Wong Kar Wai delivers an exquisite melodrama about two married neighbours who gradually fall in love.

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Somewhere

Sofia Coppola’s second film set in a hotel finds a jaded Hollywood star re-connecting with the world through his relationship with his daughter.

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The Grand Budapest Hotel

Wes Anderson creates one of cinema’s most impeccably designed hotels for this Stefan Zweig-inspired tale.

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Temporary VAT-reduced rate for children: prices have been adjusted for all under 16’s tickets booked between 25 June and 1 September for screenings during the same period. BFI Riverfront will be closed until 5pm on 9 July.

 

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