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- Emerald Fennell curates “Love Stories”
Emerald Fennell curates “Love Stories”
A bespoke BFI IMAX programme running throughout February curated by Academy Award and BAFTA-winning writer-director-producer Emerald Fennell, complementing the release of her sweeping romantic drama, “Wuthering Heights”.
‘Since its publication two hundred years ago, critics have challenged Wuthering Heights’s validity as a love story. It is too shocking, too cruel, too narratively strange to slip neatly into the world of romance, but it is a love story nonetheless. While researching it, I rewatched many of my own favourite “love stories”, ones that challenged, subverted, even obliterated the conventions of the genre. These are stories which put the love story under duress, which stick a needle into the strawberry trifle, which show love in all its freakish, gory detail.’
– Emerald Fennell
The Handmaiden (Director’s Cut)
A spectacular adaptation of a spectacular book (Sarah Waters’ ‘Fingersmith’), The Handmaiden opens itself up slowly and to devastatingly sexy effect.
Crash
As certain to cause arguments in the lobby as any film out there. Ice-cold, Brechtian, camp as hell, gorgeous in a profoundly inhuman way.
William Shakespeare’s Romeo + Juliet
This film subverted what an adaptation could look like. Iconoclastic, funny, beautiful, heartbreaking – it blew the dust off the source material like a hurricane.
The Beguiled
In Sofia Coppola’s not-quite-love story, Colin Farrell is a Civil War soldier who finds himself injured at a remote boarding school.
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