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The Films of Jean-Marie Straub and Danièle Huillet

March 2019

Explore the inimitable, disciplined work of the lifelong partnership between Jean-Marie Straub and Danièle Huillet.

Introduction by critic Nick Pinkerton

Straub and Huillet


“One of the most intense, challenging and controversial collaborations in the history of cinema”
Joshua Siegel, Museum of Modern Art

Paris, 1954. Jean-Marie Straub, an intimate of many critics and future New Wave directors, met Danièle Huillet, an aspiring ethnographic filmmaker, and a lifelong partnership began. The films that they made together (until Huillet’s death in 2006) collectively form a celebration and interrogation of Europe’s cultural and political heritage, linking classical and radical traditions. Almost every one of their films would build from direct quotations of an original text, making them adapters by trade – and, paradoxically, among the most original filmmakers of the latter half of the 20th century. Obsessive perfectionists, they created and reworked their austere visual approach and declamatory performance style, exploring the text and the distinctive cadence of their (often non-professional) performers, recorded live. The result is a rigorous, disciplined cinema, defined by a simple beauty and fierce political passion.

Nick Pinkerton


Part of a complete retrospective (Mar – Jun 2019) of Straub-Huillet, including many restorations, organised by Goethe-Institut with BELVA Film, ICA, Italian Cultural Institute, Institut Français, Birkbeck, University of London, King’s College London, and German Screen Studies Network goethe.de/uk

See our European Connections season.

All images courtesy of BELVA Film GmbH


Korean Cultural Centre


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