Richard Eyre: Weapons of Understanding
Few directors have so successfully spanned the worlds of theatre, film and television as Richard Eyre, displaying his mastery over each medium.
‘The arts are weapons of understanding and weapons of happiness.’
– Richard Eyre
Richard Eyre brought to film and television a deep understanding of performance, and the framing and pacing of each scene, which he had crafted over years in the theatre. A producer and director of the BBC Play for Today strand from 1978 to 1981, he then took on the challenging position of Artistic Director of the National Theatre from 1982 to 1992 – a hugely successful period for the institution. At the same time that he returned to the BBC, he also began a successful film career. In this season, we present a programme that demonstrates and celebrates his wide range and versatility, from translating theatre classics to the small screen and embracing hard-hitting social realism, to exploring the complexity of real lives and probing the psychology of the most troubled individuals. Together, these works highlight a unique presence on our cultural landscape.
Marcus Prince, season curator
With thanks to
BBC Television, Channel 4, Judy Daish and Lionsgate
Special events
Season programme
Play for Today: Comedians + intro by Sir Jonathan Pryce and Sir Richard Eyre
Jonathan Pryce stars in Trevor Griffiths’ iconic play.
Play for Today: Just a Boys’ Game + Screen Two: The Insurance Man
Two seminal plays that amply demonstrate Eyre’s versatility as director and producer.
Play for Today: The Imitation Game
The code breakers of Bletchley Park seen through a female gaze.
Iris + intro by Professor Lucy Bolton, Queen Mary University of London
A powerful portrait of Iris Murdoch and her husband John Bayley, and the devastating impact of dementia.
Philosophical Screens: Iris
Join our film philosophers for a discussion about Richard Eyre’s portrait of Iris Murdoch.
Sunday Premiere: Tumbledown
A powerful evocation of the personal cost of the Falklands War.
Performance: Suddenly Last Summer
Tennessee Williams’ play of lies, hypocrisy and vicious inhumanity.
The Ploughman’s Lunch
Ian McEwan’s film explores the moral decline engendered by Thatcherism.
Stage Beauty
Identity and love is explored through the changing world of Restoration Theatre.
The Dresser
Inspired by Shakespeare’s King Lear, this is a brilliant exploration of senility and life choices.
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